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Zea Mays Printmaking

Non-Toxic Printmaking

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    • #SelfIsolationResidency in the Time of Corona

Telephone Exhibition 3

Hannah Richard, "Scratching at the Roots", 14x18", mono print, collagraph and graphite, (inspired by Pamela Crawford)
Sissy Buck, "Circling Round", 6x20", paper lithography and trace drawings, accordion book, (inspired by Pamela Crawford)
Sheryl Jaffe, "Bramble Escape", 9x9x9", monotype on artist made paper, (inspired by Soozie Large)
Lynn Peterfreund, "s(Pine)," monotype, 26" x 34", (inspired by Phil Stevens)
Kathryn Fanelli, "Unicorns R Real", 12x16", watercolor monoprint (inspired by Phil Stevens)
Larinda Meade, "Around and Over", 24x32", spit bite etching, (inspired by Phil Stevens)
Susan Amons, "Penobscot Salmon", 24x20", monoprint with pastel, (inspired by Betsy Feick)
Kate Jenkins, "Light and Dark", 14x20", watercolor monotype, (inspired by Betsy Feick)
Kristina Key, "Step Forward, Step Back", 20x13.5", linocut, (inspired by Betsy Feick)
Blue Butterfield, "Weathered by the tides", 19.5x16", woodblock reduction, (inspired by Nancy Haver)
Therese Dwyer Moriarty, "Fifty-two", 16x20", watercolor monotype and collage, (inspired by Nancy Haver)
Nancy Diessner, "First Things", 25x30", photopolymer intaglio, (inspired by Tekla McInerney)
Margo Temple Jansen, "Family Unit", 16.5x14.25", photo-intaglio, (inspired by Tekla McInerney)
BZ Reily, "Portal", 12x12", relief and mono printing on vintage LP paper sleeve, (inspired by Tekla McInerney)
Julie Lapping Rivera, "Homing Instinct", 11x14", photo woodcut and collage, (inspired by Liz Bannish)
Nannette Vonnegut, "Silver Lining", 22x19", monotype, (inspired by Liz Bannish)
Elizabeth Sacca, "Wildfire", 15x17.5", monoprint drypoint on copper plate with paper cutout, (inspired by Liz Bannish)
Adrienne Figus, "Fortune Teller for the Hungry or Overwhelmed", 8.5x8.5", silkscreen, (inspired by Meredith Broberg)
Susan Rood, "Feeding the Imagination", 17x15", linocut, (inspired by Meredith Broberg)
Deb Schmidt, "Garden of Symbiotic Energy", 13.5x18.5", drypoint, (inspired by Meredith Broberg)
Judith Allen-Efstathiou, "Into the Future", 20x36", paper matrix lithograph, (inspired by Olwen Dowling)
Peggy Merritt, "Flight", 6x8", photopolymer intaglio, (inspired by Olwen Dowling)
Blair Folts, "Flow", 14x12", dry point with paper lithography, (inspired by Maya Malachowski Bajak)
Angela Zammarelli, "You Remind Me of Hair on Water", 7.5x11", watercolor mono prints and photocopy transfers, artist book, (inspired by Maya Malachowski Bajak)
Jeff Woodbury, "We Spoke of a Time Before Words", 24.5x22.5", four color screen print on Stonehenge paper, (inspired by Maya Bajak)
Judith Bowerman "To articulate: utter; speak", 16x20, mrnoprinted lithograph, (inspired by Jenny Scheu)
Elizabeth Jabar, "Untitled", 16x20", etching and screen print on paper, (inspired by Maggie Nowinski)
Peter Cangialosi, "Infiltrator", 7x17", monotype, (inspired by Maggie Nowinski)
Jessyca M. Broekman, "I Portici", 38x10x7.5", monotype accordion book, (inspired by Kelly Roe)
Liz Chalfin, "Walking Into History", 18x24", etching, (inspired by Kelly Roe)
Lynn Horan, "More Doors, Less Walls", 40x32", photopolymer intaglio/monoprint collage, (inspired by Kelly Roe)
Susan Silverman, "Sign of our times (the sleep of reason...)", 20x28", found plate intaglio with photopolymer chine colle, (inspired by Delphine Sherin)
Joan Safford Wright, "Arabesque", 21.25x16.5", woodcut, (inspired by Delphine Sherin)
Elisa Lanzi, "Benissimo!", 24.25x12", monotype, (inspired by Doris Madsen)
Scott McDaniel, "Untitled", 16x18", monotype, (inspired by Doris Madsen)
Kathleen Reming, "Hear Me Now?", 12x14", monotype, (inspired by Doris Madsen)
Kevin Pomerleau, "Memorial Tapestry for Fallen Utility Poles", 18x24", woodcut, (inspired by Lisa Sweet)
Esther White, "String Lights, Quilt", 19x26", deconstructed screen print, xerographic print, sun print on cotton, (inspired by Lisa Sweet)
Claudia Fieo, "Faulty Reception", 23x16", lithography, (inspired by Christine Benneman)
Diana McKenzie, "Carry the Sound 1", 11x14", dry point etching, collagraph, embossing PVA glue, (inspired by Christine Benneman)
Erika Radich, 13x28", monotype/transfer drawing, (inspired by Christine Benneman)
Carrie Scanga, "Smokestacks", 12.5x16.5", etching and monotype, (inspired by Joanne Desmond)
Susan Schmidt, "Entwine", 30x22", etching with spit bite, (inspired by Joanne Desmond)
Nancy Doniger, "Dance", 12x16", mono print, (inspired by Jeanne Hayman)

  • About
    • Mission
    • Facilities
    • Hours
    • Visiting
    • Contact Us
    • Accommodations
  • Learn
    • Workshops
    • Online Workshops
    • Video Tutorials
    • Private Lessons
    • Artist Mentorship Program (AMP)
    • Scholarships
    • Registration Policies
    • Faculty
    • Internships
    • Research Projects
    • Resources
  • Studio Access
    • Membership
    • Residencies
    • The Annex
  • See Prints
    • Flat File Project
    • Sanford Gallery @ ZMP
    • Off-Site Exhibitions
    • Members’ Galleries
    • Portfolios
    • Digital Exhibitions
  • Contract Printing
  • Stories
    • Printmaking in Havana
    • Printmaking in Johannesburg
    • Printmaking in Venice
    • Substratum
    • Where Are They Now?
    • People in Print
    • Extractions: Art on the Edge of the Abyss
    • Feet in the Air and Head on the Ground
    • #SelfIsolationResidency in the Time of Corona

Zea Mays Printmaking

© Zea Mays, Inc. 2021

320 Riverside Drive
Florence, MA 01062

Call us at +1-413-584-1783

Liz Chalfin, Director
liz@zeamaysprintmaking.com

Studio hours:
Tuesday-Friday 10-6
2nd & 4th weekend of the month 10-6

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