Wednesdays, February 8 - March 29, 3 PM - 5 PM with Meredith Broberg How can you get out of your own way and into your own possibilities? This workshop provides a flexible structure for artistic development, with an emphasis on enjoyment, exploration and encouragement. Our focus is enjoying [...]
Wednesdays, March 8-29, 6 PM - 9 PM with Zoë Dong Combine drypoint and collograph techniques in this low-tech, eco-friendly four-week evening course. Transform the everyday tetrapak-brand beverage carton into a versatile printmaking plate that can record line and texture in experimental, playful ways. We’ll create line and ranges of [...]
Friday-Sunday, March 17-19, 10 AM - 5 PM with Liz Bannish Lithography is a longtime method of printing from a flat surface, using only the phenomenon of oil repelling water to produce an image. When done using wood, the prints can have unexpected and beautiful results, often showing the grain [...]
Saturday-Sunday, March 25-26, 10 AM-5 PM with Annie Bissett Mokuhanga, the traditional Japanese method of woodblock printing with watercolors, usually requires careful planning and precision, but this workshop introduces participants to the materials used in Mokuhanga— wood, water, pigment and rice paste — without the arduous process of carving and [...]
Tuesday, March 28th, 5:30-7:30 PM Join Robynn Smith, printmaker, and Michael Craine, inkmaker, for a fun and informative talk about ink, color and printmaking. Art, chemistry, history and design converge in this wide ranging demonstration/discussion. All this and a lovely British accent. Bring your curiosity and questions for this dynamic [...]
Saturday, April 1, 10 AM - 5 PM with Amaryllis Siniossoglou Drypoint and Trace Monotype offer the artist a wide range of mark making possibilities, some permanent, some transient. During this one-day workshop participants will have the opportunity to learn how to create and print drypoint plates, and explore compositions [...]
Saturday-Sunday, April 1-2, 10 AM - 5 PM with Annie Silverman Prints on Japanese paper that are waxed with melted beeswax become strong, translucent, flexible surfaces that welcome techniques like stitching, piercing and sewing. These prints can be used on their own or combined with other printed elements to invigorate [...]
Saturday, April 8, 10 AM - 5 PM with Joyce Silverstone Viscosity monotype with Akua inks involves a loose, painterly, and often, thrilling exploration playing the edge between accident and control. Create subtle, spontaneous, one-of-a kind prints, using modified inks. Thick and thin inks resist each other in ways [...]
Saturday, April 15, 10 AM - 5 PM with Joyce Silverstone Viscosity monotype with Akua inks involves a loose, painterly, and often, thrilling exploration playing the edge between accident and control. Create subtle, spontaneous, one-of-a kind prints, using modified inks. Thick and thin inks resist each other in ways that [...]
Sunday, April 16, 10 AM - 5 PM with Larinda Meade Soy Wax Soft Ground is an impressionable, acid resistant, wax based medium which allows an artist to obtain delicate lines, subtle tones and direct object impressions through etching. This workshop will introduce you to how to make the soft [...]
Saturday, April 29, 10 AM - 2 PM + 30 minutes individual instruction with Tracey Cockrell This workshop is a deep dive into sourcing support for your distinct creative practice. Participants will learn about where to find a range of professional opportunities, how to maintain records about deadlines, applications, & [...]
Saturday, April 29, 10 AM - 5 PM with Amaryllis Siniossoglou This one-day workshop will offer participants a fun and informative monotype experience. Amaryllis will guide participants through a variety of exercises exploring composition, color and working in series. You’ll play with painterly approaches to mark making as well as [...]