Saturday, April 1, 10 AM - 5 PM with Amaryllis Siniossoglou Drypoint and Trace Monotype offer the artist a wide range of mark making possibilities, some permanent, some transient. During this one-day workshop participants will have the opportunity to learn how to create and print drypoint plates, and explore compositions [...]
Saturday-Sunday, April 1-2, 10 AM - 5 PM with Annie Silverman Prints on Japanese paper that are waxed with melted beeswax become strong, translucent, flexible surfaces that welcome techniques like stitching, piercing and sewing. These prints can be used on their own or combined with other printed elements to invigorate [...]
Saturday, April 8, 10 AM - 5 PM with Joyce Silverstone Viscosity monotype with Akua inks involves a loose, painterly, and often, thrilling exploration playing the edge between accident and control. Create subtle, spontaneous, one-of-a kind prints, using modified inks. Thick and thin inks resist each other in ways [...]
Saturday, April 15, 10 AM - 5 PM with Joyce Silverstone Viscosity monotype with Akua inks involves a loose, painterly, and often, thrilling exploration playing the edge between accident and control. Create subtle, spontaneous, one-of-a kind prints, using modified inks. Thick and thin inks resist each other in ways that [...]
Sunday, April 16, 10 AM - 5 PM with Larinda Meade Soy Wax Soft Ground is an impressionable, acid resistant, wax based medium which allows an artist to obtain delicate lines, subtle tones and direct object impressions through etching. This workshop will introduce you to how to make the soft [...]
Saturday, April 29, 10 AM - 2 PM + 30 minutes individual instruction with Tracey Cockrell This workshop is a deep dive into sourcing support for your distinct creative practice. Participants will learn about where to find a range of professional opportunities, how to maintain records about deadlines, applications, & [...]
Saturday, April 29, 10 AM - 5 PM with Amaryllis Siniossoglou This one-day workshop will offer participants a fun and informative monotype experience. Amaryllis will guide participants through a variety of exercises exploring composition, color and working in series. You’ll play with painterly approaches to mark making as well as [...]
Saturday, May 13, 10 AM-5 PM with Julie Lapping Rivera Woodcut is a wonderfully direct and accessible form of printmaking, which yields a range of imagery from bold and simple to detailed and textural. The process of bringing an image to life through carving is both soothing and meditative. Because [...]
Saturday, May 20, 10 AM - 2 PM + 30 minutes individual instruction with Tracey Cockrell Every artist’s situation is unique. What’s your vision for your journey as an artist? In this workshop, you will hone your vision into a platform for action. Participants will clarify their values as an [...]
Saturday, May 20, 10 AM - 5 PM with Joyce Silverstone Image by Jan Johnson Spend a day exploring how to create interesting edges, textures, lines and forms from paper to a final print. This workshop will focus on a variety of ways to use stencils in monotype. [...]
Sunday, May 21, 10 AM - 5 PM with Kevin Pomerleau This workshop is an introduction to the process of etching and printing an aquatinted plate, a variant of etching that produces areas of tone rather than hard lines. Used properly an aquatint can add texture, depth, or even flat planes of tone to your etching. Using the Zea [...]
Saturday/Sunday, May 27-28, 10 AM - 5 PM with Nancy Diessner This workshop is an introduction to working with Toyobo Printight plates, a photopolymer plate that is very sensitive to photo-based tonal imagery as well as direct drawing. In fact, the process is so versatile that it can accommodate nearly [...]