Established in 2000, Zea Mays Printmaking is dedicated to research, practice and dissemination of safe printmaking. We offer studio access, workshops, residencies, internships, mentorships and contract printing services to an international community of artists.
Demonstrating the high quality and creative possibilities of original prints made with health consciousness is at the core of our mission.
- 6,000 sq. ft. of printmaking studios.
- Distinct studio spaces: teaching, members’, screen printing, digital, photopolymer and private (the Annex).
- a solvent-free, sustainable working environment.
- research center for safer, non and less-toxic printmaking materials and processes.
- educational facility offering workshops and private instruction in safer and non-toxic approaches to intaglio, photopolymer, lithography, silkscreen, relief and monotype printmaking.
- certificate in green printmaking.
- print archive, available for exhibition and study.
- residency program for printmakers.
- mentorship program for artists seeking to deepen their practice.
- resource for offsite demonstrations and workshops as well as consultations about setting up a safer studio.
- treasure trove of prints for sale by our member artists
- a great community of printmakers.
Zea Mays Printmaking strives to create sustainability in many ways, including
- recycling paper, plastic, metal and glass
- using Pedal People as our trash hauling/recycling service
- using a rag service instead of paper towels
- using bath towels for blotters
- using filtered water instead of bottled
- compact fluorescent light bulbs in all our fixtures
- electricity from a local solar farm
- energy efficient mini-splits for heating and cooling
In 2012 Zea Mays Printmaking invited The Commonwealth of Massachusetts, Executive Office of Energy and Environmental Affairs, Office of Technical Assistance and Technology in to do a complete audit of our studio facility and practices. Excerpt from their final report: “First we would like to commend you for using benign materials and safe practices at your facility, which will benefit not only the health and safety of your students and tenants, but the environment as well. As we reviewed the materials that you utilize with you during the visit, and examined the Material Safety Data Sheets that you sent to us in follow-up, it became apparent that you had taken great care to guarantee that the operations in your studio were as benign as possible.”
Printmaking is an evolving field and we constantly strive to make our studio safer and more sustainable.
Liz Chalfin, founding director
Sheldon Carroll, facilities
Studio monitors: Joyce Silverstone, Kevin Pomerleau, Kate Jenkins, Zoe Dong, Angela Zammarelli, Erika Radich, Larinda Meade, Tekla McInerney, Pamela Crawford, and Meredith Broberg