Tuesday Morning Monotype

Tuesday mornings, 10 AM - 2 PM, October 31 - November 28, 2017
Learn how to make transfer drawings, drypoint and collagraph plates that layer well with subtractive and viscosity monotype methods. The format of this five-week series allows time for participants to develop individual print projects.

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The Big and Colorful Pronto Plate

Saturday & Sunday, December 2-3, 2017, 10-5
Pronto Plate printmaking is a simple form of lithography, and is one of the most direct methods of making prints with photographic, drawn, or painted imagery. In this workshop we’ll work with LARGE Pronto plates to explore many exciting image-making possibilities.

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Japanese Waterbased Woodcut (Moku Hanga)

Friday - Sunday, December 8-10, 2017, 10-5
With its waterbased pigments, brushes and hand printing, traditional Japanese woodblock printing is an elegant, green and low-tech process that works beautifully for artists in home studios without a press. This workshop will introduce all aspects of the process.

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Painterly Woodblock Relief Printing

Friday-Sunday, December 15-17, 2017, 10-5
In this class, learn to navigate the duality of spontaneous mark marking and precise wood carving as you translate loosely composed brush marks into a two color woodblock print.

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All About Aquatint

Saturday - Sunday, January 13-14, 2018, 10-5
Learn how to create tone in etching with acrylic aquatint spray and an airbrush.

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Color Theory Applied to Printmaking

Saturday, January 27, 2018, 10-5
Explore color theory through exciting exercises in monotype.

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Beginning Photopolymer Printmaking

Sat-Sun, February 17-18, 2018, 10-5
This workshop is an introduction to working with Toyobo Printight plates, a photopolymer plate that is very sensitive to the tonal range in photo-based imagery as well as direct drawing.

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Making Monotype Animations

Saturday & Sunday, February 24-25, 2018, 10-5
Learn to make a short animation composed of a series of small monotypes, taking advantage of the speed and serial nature of making monotype prints.

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Working with Non-Rag papers: Chine Collé, mounting, and printing on thin papers

Saturday & Sunday, March 3-4, 2018, 10-5
In this in-depth class, you will learn all about printing with non-rag papers. We will explore the beauty and wonders of gampi, kozo, kitakata and other Asian, non-rag papers through different printing techniques, mounting applications and chine collé—the process of concurrently printing and mounting a thinner sheet of printing paper onto a thicker backing sheet.

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Tuesday Morning Monotype

Tuesday mornings, March 6 - April 3, 2018, 10-2
Learn how to make transfer drawings, drypoint and carved plates that layer well with subtractive and viscosity monotype methods, followed by supported practice time with the materials.

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Wednesday Morning Screen Printing

Wednesday Mornings, March 21 –April 18, 2018, 10-2
Explore screenprinting or deepen your practice in this five-week morning workshop! This workshop is a sampler of many ways to make screenprints – from hand drawn and cut paper stencils to photographic processes.

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Your Art, Better.

Saturday, March 25, 2018, 10-5
Learn the skills for critiquing your own work in progress to help you solve creative challenges and edit for successful presentations.

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