Photo Screenprinting

Saturday & Sunday, February 18 & 19, 2017, 10-5
Utilize the Zea Mays Printmaking darkroom in this photo-screenprint workshop. After coating screens with light sensitive emulsion, expose your photograph or drawing to your screen and discover the exciting results.

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Color Theory Applied to Printmaking

Wednesday, February 22, 2017, 10-5
During this workshop we will delve into color theory applied to monotype printmaking, but anyone working with color in any medium would benefit from this information.

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PRONTO? PRONTO! Pronto Plate Printing in a Day

Thursday, February 23, 2017, 10-5
Get ready to hop into active drawing and printing with these easy to prepare and print lithographic plates.

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Printing with Dye & Deconstructed Screenprinting on Fabric

Saturday & Sunday, March 4 & 5, 2017, 10-5
Print on fabric with fiber-reactive textile dye, creating layers of texture and complex color in this weekend workshop.

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Ink Viscosity and Surface Rolls

Saturday, March 11, 10-5
Viscosity printing employs the principle that when different thickness and thinness of ink are rolled on top of each other, they resist each other. Akua Intaglio Inks and modifiers are well suited for viscosity experimentations, but these principles are easily applied to other intaglio inking systems.

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Intaglio Color Printing and Master Wiping Class

Saturday & Sunday, March 18 &19, 2017, 10-5
Develop your own image or edition of intaglio color prints in this intensive workshop. Multiple plate printings, color overlays, and a la poupée inking techniques will be covered.

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Beginning Photopolymer Printmaking

Friday evening 6-9, Saturday & Sunday, 10-5, March 24 - 26, 2017
Learn how to make original prints from your photographs using plates that develop in water.

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Wednesday Morning Screen Printing

Wednesday mornings, April 5-26, 2017, 10-2
Learn basic screenprinting in this 4-week morning workshop.

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Japanese-Style Woodblock Printing (Moku Hanga)

Friday- Sunday, April 7-9, 2017, 10-5
With its waterbased pigments, brushes and hand printing, traditional Japanese woodblock printing is an elegant, green and low-tech process that works beautifully for artists in home studios without a press.

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Tuesday Morning Monotype: More!

April 11 - May 9, 2017 Tuesdays, 10 AM - 2 PM
This workshop is designed for advanced monotype participants who have taken previous workshops and would like to delve a little deeper, with the support of an on-going class.

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Unorthodox Relief Monotype

Saturday & Sunday, April 22-23, 2017, 10-5
Disrupt traditional processes and broaden your expectations by using Akua Inaglio Inks and relief blocks for monoprints. Basic carving of blocks is only the first step in a process of exploiting opportunities for "controlled accidents" and "calculated spontaneity".

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Forms and Marks in Space: Monotype Explorations

Saturday, April 29, 2017, 10-5
Using still life subjects as inspiration, learn to create forms and marks that convincingly exist in space. In this class, students will be able to explore different ways of interpreting still life forms with the quick, directness of monotype.

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