Certificate in Green Printmaking: Intaglio

July 6-30, 2016, 10-5 daily with open studio time until 10 PM
Our second annual intensive summer Certificate Program to train printmakers in the latest, best practices in safer intaglio.

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Scrolls, Extensions and Overlaps

Wednesday - Saturday, August 3-6, 2016, 10-5
Create narrative images that move across the page, working either abstractly or figuratively. Link a series of prints either vertically or horizontally, or layer longer plates working with fluid overlap to carry the eye through the composition.

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Engraving with Barry Moser

Friday - Sunday, August 12-14, 2016, 10-5
Relief Engraving is medium that ranks with mezzotint and fresco in its degree of difficulty, yet Barry Moser presents the process in clear and simple terms. Participants will learn the basics of engraving from the master himself.

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Prints from Observation using Monotype and Drypoint

Wednesday - Saturday, August 17-20, 2016, 10-5
In this exciting four day workshop, we’ll be working directly from the landscape and in sessions with a figure model to explore layering monotype and drypoint printmaking.

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Pattern on Fabric: Screenprinting and Beyond

Tuesday mornings, September 13 – October 4, 2016, 10-2
Spend four weeks learning and experimenting with the silkscreening process. Start with personal imagery to develop complex patterns on fabric.

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Introduction to Photopolymer Printmaking

Friday 6-9, Saturday & Sunday 10-5, September 23-25, 2016
An introduction to working with Toyobo Printight plates, a photopolymer plate that is very sensitive to the tonal range in photo-based imagery as well as direct drawing

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Monotype for Relief Plates

Saturday, September 17, 2016, 10-5
A playful method of introducing carved and incised lines into the painterly print, creating a rich vocabulary of mark making.

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Traditional Wheat Paste Chine Collé

Saturday, October 1, 2016
Join us for a one-day workshop testing the traditional wheat paste chine collé. Collage work is also a part of the traditional application of this printmaking technique and will be explored in this workshop.

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Tuesday Morning Monotype

Tuesday, October 11 – November 15, 2016, 10-2
Explore a new substrate each week including a demonstration as well as an exploration and employment of each printmaking technique. After six weeks, participants will know the tools of the studio, Akua water-based inks, and innovative monotype methods.

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All about BIG!

Saturday & Sunday, October 15 & 16, 2016
Come for a weekend in the intaglio studio manipulating the non-toxic Baldwin Intaglio Ground (B.I.G.) as hard ground, soft ground and sand paper aquatint. Print to see the range of possible results.

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Large Scale Woodcut

Tuesday Evenings, October 18 – November 8, 2016, 6-9 PM
Learn to draw, carve and print a 24" x 48" woodcut image. Create dynamic compositions, contrasting values and textures and learn the tricks of the technique.

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DIY Gig Poster: An Intro to Basic Screen Printing Practices via Poster Design

Saturday & Sunday, October 22-23, 2016, 12-6 PM
Learn the basics of screen printing via poster design in this two day course.

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