Layering Lines in Monotype

Saturday, December 17, 2016, 10-5
An introduction to monotype drawing strategies with painterly brushwork and unconventional drawing tools.

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Layering Lines in Monotype

Sunday, December 18, 2016, 10-5
We've added a second section due to popular demand! An introduction to monotype drawing strategies with painterly brushwork and unconventional drawing tools.

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Carborundum Collagraph

Saturday and Sunday, January 14-15, 10-5
The term collagraph stems from the Greek, “colla” being derived from the verb “to glue”. The collagraph is composed of layers of materials that are glued or attached to a substrate. The plates can be inked both relief and intaglio opening up a wide range of print possibilities.

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Intro to Drawing and Drypoint

Saturday, January 21, 2017, 10-5
Spend a day in the studio drawing, proofing and printing drypoint copper plates. This is an introductory class in basic drawing and fundamentals through drypoint.

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Watercolor Silkscreen Monotype

Sunday, January 22, 2017, 10-5
Make watercolor silkscreen monotypes on paper in this one-day workshop.

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Photo Screenprinting

Saturday & Sunday, February 18 & 19, 2017, 10-5
Utilize the Zea Mays Printmaking darkroom in this photo-screenprint workshop. After coating screens with light sensitive emulsion, expose your photograph or drawing to your screen and discover the exciting results.

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Color Theory Applied to Printmaking

Wednesday, February 22, 2017, 10-5
During this workshop we will delve into color theory applied to monotype printmaking, but anyone working with color in any medium would benefit from this information.

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Printing with Dye & Deconstructed Screenprinting on Fabric

Saturday & Sunday, March 4 & 5, 2017, 10-5
Print on fabric with fiber-reactive textile dye, creating layers of texture and complex color in this weekend workshop.

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Ink Viscosity and Surface Rolls

Saturday, March 11, 10-5
Viscosity printing employs the principle that when different thickness and thinness of ink are rolled on top of each other, they resist each other. Akua Intaglio Inks and modifiers are well suited for viscosity experimentations, but these principles are easily applied to other intaglio inking systems.

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Intaglio Color Printing and Master Wiping Class

Saturday & Sunday, March 18 &19, 2017, 10-5
Develop your own image or edition of intaglio color prints in this intensive workshop. Multiple plate printings, color overlays, and a la poupée inking techniques will be covered.

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Japanese-Style Woodblock Printing (Moku Hanga)

Friday- Sunday, April 7-9, 2017, 10-5
With its waterbased pigments, brushes and hand printing, traditional Japanese woodblock printing is an elegant, green and low-tech process that works beautifully for artists in home studios without a press.

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Tuesday Morning Monotype: More!

April 11 - May 9, 2017 Tuesdays, 10 AM - 2 PM
This workshop is designed for advanced monotype participants who have taken previous workshops and would like to delve a little deeper, with the support of an on-going class.

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