Spontaneous Silkscreen on Fabric

Thursday evenings, 6-9 PM, May 5-26, 2016
Learn to print on fabric with both ink and dye. In this class, we will use simple silkscreen stencils and Breakdown printing (a.k.a. Deconstructed Silkscreen) to create complex printed fabric

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Linocut Printmaking with 2 colors

Saturday & Sunday, June 4 & 5, 2015
Come explore the direct, graphic and fun aspects of relief printmaking using linoleum. You'll carve 2 blocks in this workshop and layer color.

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The Big and Colorful Pronto Plate

Friday evening, June 10, 6-9 and Saturday & Sunday, June 11 & 12, 2016, 10-5
Pronto Plate printmaking is a simple form of lithography, and is one of the most direct methods of making prints with photographic, drawn, or painted imagery. In this workshop we’ll work with LARGE Pronto plates to explore many exciting image-making possibilities.

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Patterns in Nature

Friday - Sunday, June 17-19, 2016, 10-5
Direct observation will be the focus of this workshop. Participants will respond to and record the underlying patterns found in the natural world through collagraph, relief, monotype, and intaglio techniques.

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Japanese-Style Woodblock (Moku Hanga) 5-Day Intensive

Saturday - Wednesday, June 25-29, 2016, 10-5
This five-day intensive workshop will allow participants to delve deeply into this method of Japanese multi-colored woodblock printing.

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Certificate in Green Printmaking: Intaglio

July 6-30, 2016, 10-5 daily with open studio time until 10 PM
Our second annual intensive summer Certificate Program to train printmakers in the latest, best practices in safer intaglio.

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Scrolls, Extensions and Overlaps

Wednesday - Saturday, August 3-6, 2016, 10-5
Create narrative images that move across the page, working either abstractly or figuratively. Link a series of prints either vertically or horizontally, or layer longer plates working with fluid overlap to carry the eye through the composition.

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Engraving with Barry Moser

Friday - Sunday, August 12-14, 2016, 10-5
Relief Engraving is medium that ranks with mezzotint and fresco in its degree of difficulty, yet Barry Moser presents the process in clear and simple terms. Participants will learn the basics of engraving from the master himself.

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Prints from Observation using Monotype and Drypoint

Wednesday - Saturday, August 17-20, 2016, 10-5
In this exciting four day workshop, we’ll be working directly from the landscape and in sessions with a figure model to explore layering monotype and drypoint printmaking.

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